A process of screenwriting: a film treatment for ‘the Engineer-in-Chief’ Nadia Meneghello In: "Rethinking History". Vol 25. Pp 115-130. 2021 images/film/visual culture
Accessing children’s historical experiences through their art: four drawings of aerial warfare from the Spanish Civil War Jack Hodgson In: "Rethinking History". Vol 25. Pp 145-165. 2021 experience/sensation/perception images/film/visual culture violence/genocide
Beyond Representation: Pictorial Temporality and the Relational Time of the Event Britta Hochkirchen In: "History and Theory". Vol 60. Pp 102-116. 2021 images/film/visual culture time/temporality
Days of Future Past: comics and history Ryan Donovan Purcell In: "Rethinking History". Vol 25. Pp 131-144. 2021 images/film/visual culture literature/fiction (history and)
Latent and manifest filmic narration: prison as a visual icon and the representation of political repression during the Years of Lead in Moroccan cinema (2000–2018) Lidia Peralta García In: "Rethinking History". Vol 25. Pp 166-185. 2021 3 history outside academia images/film/visual culture
Unheeded history: screening savage native Americans in Quentin Tarantino’s Inglourious Basterds Cui Chen Fuying Shen In: "Rethinking History". Vol 25. Pp 186-206. 2021 3 history outside academia images/film/visual culture literature/fiction (history and)
How the Visual Is Spatial: Contemporary Spatial History, Neo-Marxism, and the Ghost of Braudel William Rankin In: "History and Theory". Vol 59. Pp 311-342. 2020 images/film/visual culture space/place
Narratives of rupture: Tarantino’s counterfactual histories and the American historical imaginary Caroline Guthrie In: "Rethinking History". Vol 23. Pp 339-361. 2019 images/film/visual culture literature/fiction (history and)
Metahistory and the visual in Herodotus and Thucydides Rosie Harman Alexandros Kampakoglou (editor) Anna Novokhatko (editor) In: "Gaze, Vision, and Visuality in Ancient Greek Literature". Vol 54. Pp 271-288. 2018 2 substantive philosophy of history images/film/visual culture
Sublime Historical Experience, Real Presence and Photography Martin Jay In: "Journal of the Philosophy of History". Vol 12. Pp 432-449. 2018 1 theory and philosophy of historiography experience/sensation/perception images/film/visual culture
Film, the Past, and a Didactic Dead End: From Teaching History to Teaching Memory Wulf Kansteiner Mario Carretero (editor) Stefan Berger (editor) Maria Grever (editor) In: "Palgrave Handbook of Research in Historical Culture and Education". Pp 169-190. 2017 3 history outside academia education/pedagogy/textbooks images/film/visual culture memory/forgetting
Illustrating National History Peter Burke Mario Carretero (editor) Stefan Berger (editor) Maria Grever (editor) In: "Palgrave Handbook of Research in Historical Culture and Education". Pp 153-167. 2017 4 histories and geographies of historiography & historical consciousness art history/aesthetics images/film/visual culture
Mediated immediacy: constructing authentic testimony in audio-visual media Sara Jones In: "Rethinking History". Vol 21. Pp 135-153. 2017 3 history outside academia authenticity images/film/visual culture media and history
Reflections of history: representations of the Second World War in Valkyria Chronicles Johannes Koski In: "Rethinking History". Vol 21. Pp 396-414. 2017 3 history outside academia games/play images/film/visual culture
Relationships with the Past: How Australian Television Dramas Talk about Indigenous History Kate Warner In: "M/C Journal". Vol 20. 2017 3 history outside academia images/film/visual culture
‘To see at one glance all the centuries that have passed’ - early visualisations of historical time Stephen Boyd Davis Alison Black (editor) Paul Luna (editor) Ole Lund (editor) Sue Walker (editor) In: "Information design: research and practice". Pp 3-22. 2017 4 histories and geographies of historiography & historical consciousness images/film/visual culture time/temporality
Reframing the past. History, film and television Mia Treacey 2016 3 history outside academia images/film/visual culture media and history
Unspeakable histories. Film and the Experience of Catastrophe William Guynn 2016 3 history outside academia images/film/visual culture
The indocile image: cinema and history in Med Hondo's Soleil O and Les Bicots-Nègres, Vos Voisins Sanogo Aboubakar In: "Rethinking History". Vol 19. Pp 548-568. 2015 3 history outside academia African iconography/images/visual history images/film/visual culture
Truth at 24 frames a second? A working dialogue between a film-maker and a historical consultant about the making of The Enigma of Frank Ryan Desmond Bell Fearghal McGarry In: "Rethinking History". Vol 19. Pp 621-639. 2015 3 history outside academia iconography/images/visual history images/film/visual culture truth (historical)
‘Untold stories’ Peter Almond Stephen Brier In: "Rethinking History". Vol 19. Pp 463-480. 2015 3 history outside academia art history/aesthetics images/film/visual culture
Historical representation unchained: History, fiction an Quentin Tarantino Kalle Pihlainen Alexander Macfie (editor) In: "The Fiction of History". Pp 130-146. 2014 3 history outside academia images/film/visual culture literature/fiction (history and) representation
Interview with Joshua Oppenheimer John Roosa In: "Rethinking History". Vol 18. Pp 413-422. 2014 3 history outside academia images/film/visual culture values in/ of history violence/genocide
Interview with Susana de Sousa Dias Scott MacDonald In: "Rethinking History". Vol 18. Pp 400-412. 2014 3 history outside academia images/film/visual culture violence/genocide
Seizing the occasion: history and nation in Eduardo Coutinho's Metalworkers Vinicius Navarro In: "Rethinking History". Vol 18. Pp 368-377. 2014 3 history outside academia images/film/visual culture nationalism/nation building representation
The future of history as film: apropos the publication of A Companion to Historical Film Ofer Ashkenazi In: "Rethinking History". Vol 18. Pp 289-303. 2014 3 history outside academia images/film/visual culture
Trauma and silence: strategies of mediation in the aftermath of civil war Jill Daniels In: "Rethinking History". Vol 18. Pp 391-399. 2014 3 history outside academia images/film/visual culture memory/forgetting trauma violence/genocide
Mulholland Drive and the Surrender of Representation Kalle Pihlainen In: "Storia Della Storiografia". Vol 64. 2013 3 history outside academia images/film/visual culture interdisciplinarity representation
Post-Westerns: Cinema, Region, West. Neil Campbell 2013 3 history outside academia images/film/visual culture
The Filmic Image as a Modernist Apparatus. Cinematographic Devices in Historical Narrative Natalia Taccetta In: "Metatheoria: Revista de Filosofiá e Historia de la Ciencia". Vol 4. Pp 95-110. 2013 images/film/visual culture progress/decline representation