Type
journalArticle
Authors
Publication title
The Opera Quarterly
Issue
2
Volume
33
Pages
140-160
Short title
God’s Broken Medium
Language
English
DOI
10.1093/oq/kbx023
Abstract
Arnold Schoenberg’s unfinished twelve-tone opera Moses und Aron, composed between 1930 and 1932, has had a somewhat peculiar reception history. On the one hand,